If only it felt as nice as it looks outside.
Blue skies, bright, blinding sunshine bouncing off the snow. But it is about 10 degrees with a nasty 30 mile per hour wind, making it feel like -2 degrees Fahrenheit.
There was a significant snowstorm about 70 miles south of me this weekend. I was right on the border of the storm, stuck in forecast purgatory; literally, "1 inch to 13 inches of snow", but the unknown forced me to stay at my workplace Saturday night (I must be within 20 minutes of my work when I am on-call, and I had no idea what the weather was going to do; nor did Mr. Weatherman).
Turns out we got perhaps three inches, maximum. 'Tis the "Land of Hype and Hyperbole," I like to call it.
| Looking out my window on this chilly Monday, 16 March 2026 |
Turns out, not much happened workwise this weekend. But it was one of those things where I couldn't do much but wait for my pager to go off, so I made a huge dent in a new book I am reading, John Williams: A Composer's Life by Tim Greiving, which I am just loving.
I knew nothing about Williams prior to opening this book, and what a life -- what a career!! Of course, he's known for his close association with Spielberg, but Williams was in the music/television/film business for twenty years prior to meeting Spielberg.
Williams had already scored films such as The Towering Inferno, The Poseidon Adventure, Fiddler on the Roof and Valley of the Dolls as well as made-for-television movies such as Jane Eyre and the infamous (to football fans) Heidi, plus television series like Lost in Space (he wrote the theme song), Gilligan's Island and Wagon Train, just to name a few. If that wasn't enough he had also already won a Grammy and an Academy Award. At 43 years old, he was considered perhaps the best film composer in Hollywood.
Then he met a 25 year-old film geek named Steven who was a Williams "fanboy" and desperately wanted to work with the music legend. I think it is very akin to compare their fortuitous union with that of Lennon and McCartney in pop music: the meeting of two geniuses from which the rest of the world was rewarded with a lifetime of entertainment.
One of the interesting bits that I have read is that Spielberg strongly recommended John Williams to his friend George Lucas, who was struggling with a "space opera." Lucas thought it would ultimately be "a film to be watched by 10 year-old boys on a Saturday afternoon." As partial payment for his work, Lucas offered Williams 1% of the film's box office earnings.
Star Wars has earned approximately $10 billion at the box office; 1% of $10 billion is $100 million. Not a bad day's work.
Remember,that's just ONE film. We won't even go into the remainder of the Star Wars series, Jaws, the Indiana Jones series, the Jurassic Park series, E.T. (The Extra Terrestrial), Close Encounters of the Third Kind, Schindler's List, Home Alone, the Harry Potter series... well, you get my drift. The man is simply the greatest movie composer of all time and no one else is even close. Period. (Oh, did I mention Superman?)
Anyway, what I meant to say before going off on this tangent is that I am enjoying this book very much.
So that's it for now. I will update again, soon. Meanwhile I will sit in my easy chair and sadly watch the world burn. I have a feeling the other shoe is going to drop soon, I am just not sure which shoe; I am hopeful of one and fearful of the other.
I promised myself not to get political on this site, so I will stop there.
(**Gemini, Google's AI platform, tells me that it was Alec Guiness who was offered a percentage of the box office receipts, not Williams. However, author Tim Greiving has done impeccable, detailed homework in this biography and I trust his years of research over a shitty one second AI search.)
