16 March 2026

The Land of Hype and Hyperbole

 If only it felt as nice as it looks outside. 

Blue skies, bright, blinding sunshine bouncing off the snow. But it is about 10 degrees with a nasty 30 mile per hour wind, making it feel like -2 degrees Fahrenheit. 

There was a significant snowstorm about 70 miles south of me this weekend. I was right on the border of the storm, stuck in forecast purgatory; literally, "1 inch to 13 inches of snow", but the unknown forced me to stay at my workplace Saturday night (I must be within 20 minutes of my work when I am on-call, and I had no idea what the weather was going to do; nor did Mr. Weatherman). 

Turns out we got perhaps three inches, maximum. 'Tis the "Land of Hype and Hyperbole," I like to call it.

Looking out my window on this chilly Monday, 16 March 2026

Turns out, not much happened workwise this weekend. But it was one of those things where I couldn't do much but wait for my pager to go off, so I made a huge dent in a new book I am reading, John Williams: A Composer's Life by Tim Greiving, which I am just loving.  

I knew nothing about Williams prior to opening this book, and what a life -- what a career!! Of course, he's known for his close association with Spielberg, but Williams was in the music/television/film business for twenty years prior to meeting Spielberg. 

Williams had already scored films such as The Towering Inferno, The Poseidon Adventure, Fiddler on the Roof and Valley of the Dolls as well as made-for-television movies such as Jane Eyre and the infamous (to football fans) Heidi, plus television series like Lost in Space (he wrote the theme song), Gilligan's Island and Wagon Train, just to name a few. If that wasn't enough he had also already won a Grammy and an Academy Award. At 43 years old, he was considered perhaps the best film composer in Hollywood. 

Then he met a 25 year-old film geek named Steven who was a Williams "fanboy" and desperately wanted to work with the music legend. I think it is very akin to compare their fortuitous union with that of Lennon and McCartney in pop music: the meeting of two geniuses from which the rest of the world was rewarded with a lifetime of entertainment.

One of the interesting bits that I have read is that Spielberg strongly recommended John Williams to his friend George Lucas, who was struggling with a "space opera." Lucas thought it would ultimately be "a film to be watched by 10 year-old boys on a Saturday afternoon." As partial payment for his work, Lucas offered Williams 1% of the film's box office earnings.

Star Wars has earned approximately $10 billion at the box office; 1% of $10 billion is $100 million. Not a bad day's work.

Remember,that's just ONE film. We won't even go into the remainder of the Star Wars series, Jaws, the Indiana Jones series, the Jurassic Park series, E.T. (The Extra Terrestrial), Close Encounters of the Third Kind, Schindler's List, Home Alone, the Harry Potter series... well, you get my drift. The man is simply the greatest movie composer of all time and no one else is even close. Period. (Oh, did I mention Superman?)

Anyway, what I meant to say before going off on this tangent is that I am enjoying this book very much.

So that's it for now. I will update again, soon. Meanwhile I will sit in my easy chair and sadly watch the world burn. I have a feeling the other shoe is going to drop soon, I am just not sure which shoe; I am hopeful of one and fearful of the other. 

I promised myself not to get political on this site, so I will stop there. 

(**Gemini, Google's AI platform, tells me that it was Alec Guiness who was offered a percentage of the box office receipts, not Williams. However, author Tim Greiving has done impeccable, detailed homework in this biography and I trust his years of research over a shitty one second AI search.)

06 March 2026

Hella Kids

This morning I finished All Quiet on the Western Front by Erich Maria Remarque. Everyone on the planet has heard of this classic, published 97 years ago, but I had never read it. It was an incredibly heavy book (emotionally heavy; the book itself is just 179 pages). 

The story is based on Remarque's own horrendous physical and psychological ordeal in the trenches of France during World War One. The reader is truly left with a sense of how horrific and utterly senseless war really is. It should be required reading for every world leader. 

But that assumes every world leader can read.

"The only good thing to come from war is camaraderie."


On a lighter note, my part of this big world woke up to cotton candy fog this morning. "Thick as pea soup" as my mother used to say, although I don't remember her ever making pea soup, In fact, I'm not sure what pea soup even looks like. I'm guessing it is thick and green, which is nothing like fog. 

A better descriptor would be "Thick as Campbell's mushroom soup." That's definitely better. Opaque and gray-ish. It resembles two-day old phlegm but it tastes great. Or should I say, M'm! M'm! Good!

But these murky mornings are welcome here. As we inch closer to spring, hour by hour, fog forms like the ghost of winter, slowly fading, melting, releasing its death grip. It actually feels satisfying to turn on the fog lights as one ventures out and about. 

Speaking of, I drove my son to jazz band this morning; he has jazz practice every morning at 7:30 AM. I give him credit, because jazz is meant to be played at midnight, when you finally find the pocket and the atmosphere of a smokey nightclub is just right; capturing that groove right after breakfast is impossible, but you do what you have to do. 

As I headed home, navigating the roundabouts, I approached a rusted out Dodge Durango from behind. I could see white lettering stenciled on the back window and being the curious type, I had to inch closer to see what it read:  

"HELLA KIDS IN THIS BITCH" in capital letters (a fancy, dancing script to give it a classy touch). 

I am too old to understand this vernacular, so I had to look it up. It turns out "hella" actually has its roots in 1970s and 1980s slang in the Bay Area of California. I'm not so sure about that because I grew up in the '70s and '80s, and I never heard of the word "hella" until No Doubt came out with a song called "Hella Good" around the turn of the 21st century. 

I presume "hella" is an adverb; roughly meaning "really" or "very." If so, the phrase "hella kids" doesn't make a lot of sense to me. "Hella kids in this bitch" obscures the meaning even more. The "bitch" part could mean the Durango itself, or perhaps it refers to the driver of the Durango, who could be pregnant. 

Regardless, the essence of the meaning, I am guessing, is a redneck/white ghetto interpretation of "Baby On Board."

Either way, I give Durango credit for spelling everything correctly, because the "t" is silent in "bitch," and it is frequently overlooked. 

Hella well done, Durango.


01 March 2026

The Blind Assassin

 This is a quick post for book lovers, because only book lovers know the feeling I have right now: a feeling of contented exhaustion after finishing a great novel. 

As usual, I am late to the party. The Blind Assassin was published 26 years ago, but it was new to me, and I had no idea what to expected when I opened to page one; maybe something about a professional assassin? Maybe some secret agent man shit going on? 

Nope, not at all. Essentially this was a novel within a novel with three different, yet interwoven stories twisting around each other. 

I admit I had the thing figured out about 3/4 of the way through, or at least I thought I did, but then the last 125 pages had me second-guessing myself. Awesome storytelling.


Margaret Atwood turned 86 years old last November and she now has a brand new fan. Hey, it is better late than never!